Dystopia

At first glance, The Hunger Games seems like a dystopian romp designed for young adults who enjoy a bit of archery and a healthy disdain for authority. But dig deeper, and Suzanne Collins’ world is less allegory than blueprint. Panem is not merely fiction. It is a thinly veiled map of our geopolitical, economic, and psychological landscape. If you squint (or even if you do not), you can see the outlines of our own era: a decadent centre, exploited peripheries, staged conflict as entertainment, and rebellions whose success depends not on justice, but on optics. ...

Elena remembered when the world still made some sort of sense. Not much, admittedly—it had always teetered somewhere between absurd and unbearable—but at least back then, she could lie to herself about having a job, a future, or a say in how things turned out. Now, her morning routine involved checking two things: whether the universal basic income had landed in her bank account (it had not), and whether the nearest AI surveillance drone was watching (it was). ...